1950s film set—my impressions

April 12th, 2025

Right next to Mr Sunshine Studio, there is another studio—the 1950s film set. This one is smaller and free of access. It was built in 2000. It recreates the 1950s Korean War-era setting for movies and television shows, providing an immersive environment that transports viewers back in time to that period.

The contrast between Mr. Sunshine Studio and the 1950s film set is striking. Especially in terms of atmosphere. I was able to feel it fully because I was the only visitor there. Gloom, hopelessness, and abandonment screamed at me from every corner. The city represented in this set looks very Western, without any hanoks or elements of traditional Korean architecture. Only shop names, signs, and posters in Korean or Chinese indicate that these dull, box-like buildings—some with a clearly industrial design—are not located somewhere in Europe but in Asia.

Old-fashioned clothing and shoes are displayed in the windows of various shops. Discolored and damaged by time, they collect dust and age without the slightest chance of ever being worn by anyone.

A tiny stall that looks like a deep bookcase with glass-covered sides that sells what looks like packs of cigarettes and matches stands in one street. I can only imagine how uncomfortable it must be for the seller to operate this kind of "shop"—no protection from the weather, no place to sit, without even mentioning the absence of a toilet.

Some of the streets are clearly war-torn with damaged buildings, barricades, and military vehicles. There is even a military camp with some military equipment.

Together, these elements create a harmonious yet haunting atmosphere of what life was like during the war.

The only café in the studio is too small to offer seats inside. Metallic chairs and tables are available outside for those who wish to use them. If they want, of course. The surrounding landscape can hardly be considered inviting. I know this is only my biased opinion; I'm sure the drinks they serve are just as good as those found elsewhere. They may even offer some really good cakes and snacks, for all I know, but I had no desire to go and check it out. I see it as further evidence of the remarkable work accomplished by the creators of the set — not only in terms of aesthetics but also in capturing the feel of war-torn streets, military camps, and faced by civilians during the war and the post-war era.

When you walk there alone, the place feels post-apocalyptic. A damaged city that stands frozen in time, as if its inhabitants left in a hurry to escape the bombing. Abandoned, it remains, accumulating dust and housing the ghosts and memories of the past.

The experience is truly unforgettable and captivating in its own way. It’s an excellent source of inspiration for creative minds and a precious educational resource—there is nothing more effective than an immersive experience for learning about history and culture through direct engagement.